THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

The life story of gifted geologist Vladimir Ishutin, as seen through the eyes of his sons.

A slick young man buys a jewel with a cheque that bounces. He then disappears and both the police and a lawyer try to find him. The lawyer hires a female detective to track down the missing man, but when his body is found in the Thames the case is by no means over.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

After millionaire playboy Mark Wainwright is mistaken for American spy Peter Murphy and killed by the KGB, Murphy assumes his identity and lifestyle, which makes a perfect cover for his covert activities.

A man suffering from amnesia tries to unravel the truth behind his past.

Young Benton Clune is not a coward at heart. He is a victim of over-zealous mother love which has grown to exert too great an influence over him. When the President's call to arms comes, Clune's regiment of National Guard prepares. Mrs. Clune is terror-stricken.

It’s a story of who Jon Pertwee was during his time on Doctor who and what big finish are currently doing with Jon’s character

In the final weeks of the existence of the Soviet empire, a number of unusual films were released. In this wry Estonian comedy, a woman with an unusual talent for mimicry which eventually earns her a career on the radio between WWII and the Russian resettlement of that country (with a corresponding deportation of millions of Estonians to Siberia). In an absurd fashion, her self-generate sound effects help her get out of all sorts of scrapes with the authorities. When those fail, her incredible nonchalance succeeds. By the end of the film, it becomes clear that she has bestowed her inimitable imitative gift on her newborn son, as well.

There is only one Yul Brynner. No other actor had his looks, his range of talents, his energy and his capacity to draw others into the spell of his charm. A true sophisticate of deliberately mysterious origins, Yul Brynner was at home in a wide variety of languages and social environments.